Showing posts with label apocalypse. Show all posts
Showing posts with label apocalypse. Show all posts

Wednesday, February 24, 2021

Captain's Log, Day 30: Update on the State of the World

 

 Date: February 24, 2021

Time of post: 10:01 PM

Quarantine Day: 336

Last Song I Listened To: "Shape of You (Stormzy Remix)" by Ed Sheeran

Last Person I Communicated With: Sent Meg a Facebook message

Last Thing I Ate: tacos and Diet Coke

Last Thing I Read: The Ravens by Kass Morgan & Danielle Paige

Current Mood: *excited*

One Thing I’ve Accomplished Today: graded some homework assignments, sent several tedious emails

One Thing I Want To Accomplish Today: help Mom tidy up a little

One Reason I’m Stressed Today: lots of student emails about things I've definitely already explained

One Reason I’m Happy Today: Yesterday I got accepted to the (virtual) 2021 PCA/ACA Conference! I was going to go last year, but it was cancelled due to COVID. I’ll finally be presenting my Taylor Swift driving paper.

 

Dear Apocalypsers,

This is another interlude post, just to catch us all up on everything that’s happened in 2021 so far. It’s been a year already. So, to my grandchildren, when you read this, don’t repeat some of the language you see here but please know that Grandma was on the right side of history.

On January 6, literal domestic terrorists in the form of a MAGA mob broke into the fucking Capitol building and made it to the Senate floor—while Congress was in session. Thankfully, Congress was able to evacuate before the floor was breached, and they were all safe. Personally, I think Hawley (Missouri), Tuberville (Alabama), Cruz (Texas), and the rest of the Republicans (at this point, yes, all of them, because they should have denounced their party a long-ass time ago) should have just hung out with their constituents in the hallways. Those sorry excuses for human beings broke into Nancy Pelosi’s office (she’s the Speaker of the House). They were actively looking for Rep. Alexandria Ocasio-Ortez. They wanted her dead. There’s a picture of an AssHat (what I will be calling the terrorists throughout this paragraph) pictured holding zip ties, like they were going to take hostages. As many people on Twitter pointed out, we ere *this close* to seeing executions live on national television.


And what did our sorry fucking excuse for a president do??? Trump just sat there. Literally! Some outlets said he was paralyzed; others basically insinuated that he was just fascinated like he was watching a TV show.

Fuck Trump. Fuck the Republican Congresspeople who egged it on. Fuck the individuals who partook in it. It’s fucking disgusting. I hope every last one of them burns in their own personal hell.

Oh, look, AssHat with zip ties. They were going to abduct people. It was so scary. [photo by Win McNamee/Getty Images]

And why did they do this, you might be asking? Because they were opposing the ratification of Joe Biden as President—because Trump fucking told them to. There were so many tweets about them planning this goddamn raid—and no one did a damn thing about it. Some of the fucking cops just let the mob waltz in and took selfies with them. (See why we need to defund, reallocate, and restructure the entire police force?)

I’d like to say I’m surprised. But I’m not. Trump has been inciting violence for years. It makes complete sense that it boiled over to this.



I was at Jennie’s apartment when it happened. We were writing an article on Taylor Swift those few days, and we just kept refreshing Twitter and watching the news. It was so surreal—and as more and more information came out about Trump and certain Congresspeople’s involvement, it just got worse. You don’t think about how you’ll react to an attempted coup. No matter how many times you’ve read or seen The Hunger Games, you probably won’t act that way when you’re faced with it. But it did feel like I was in the Districts watching an attack on the Capitol…but, in this case, the Capitol was actually trying to fix things. So we just sat with baited breath and watched—watched as the National Guard wasn’t called in; watched as Eugene Goodman led an angry mob away from the door where Congress was meeting; watched fucking terrorists with face paint and horns and Confederate flags scale walls and parade through the Capitol building.

And then it was over.

But can a country ever come back from a Presidentially-sanctioned coup? I don’t know. I don’t think so. Not completely. I guess we’ll see.

A rioter takes the Confederate flag into the Capitol building...which didn't even happen during the Civil War. [photo by Jim Lo Scalzo/EPA/EFE]


I guess there was one positive thing worth highlighting for posterity: the kids. Once again, Gen Z has proven that they really don’t mind shutting down Trump’s fascism using social media. I may have mentioned how the K-Pop stans bought all the tickets to a Trump rally and then didn’t go, and this has the same energy. The childrenof MAGA rioters were identifying their parents from pictures and reporting them to the police and FBI. It was pretty incredible (and hilarious) to watch. And I think, years from now, we’ll realize how brave that was.

For one thing, it’s so hard to break from what you’re brought up with. Having social media and the Internet from such a young age does make it easier to be exposed to new ideas, and I’m sure that’s part of it. I also think that hatred is taught, so if these kids were seeing other stories online, it would be easier to ignore their parents’ bigotry. There’s also a lot more discourse about “just because they’re your parents doesn’t mean you owe them anything or that you have to love them”—which really flies in the face of what Boomers and Gen X were taught and then taught us (for the most part).

So all these little things definitely could have helped. But at the end of the day, these teenagers on TikTok and Twitter put themselves in risky situations to report their parents because it was the right thing to do. We don’t know what backlash they faced at home or from their extended families or from their communities. But they still did it. And that just kind of reinforces what all those dystopian YA books taught me: that young people are cool as hell, and that, given the chance, they’ll step up.

In related news (since it’s what the domestic terrorists were “protesting”), Joe Biden and Kamala Harris were sworn in as President and Vice President on January 20, 2021. I was honestly a little worried that something would happen at the Inauguration, but it seemed to have gone smoothly. They also sent a lot of National Guard to D.C., so that probably deterred some protests. Mom’s-coworker-Jill’s youngest song, Caden, was in D.C. with a few Alabama National Guard units, so that brought it all home a little. There are tons of pictures that went around showing what the Capitol Building looked like on the 6th vs. the 20th, and it was really sobering to see. But there was also a lot of hope. Like maybe things will get better under this new presidency. They have to.

The Capitol building on January 6th vs.


the Capitol building on January 20th during Biden's Inauguration


The highlight of the Inauguration, though, was Amanda Gorman. She was named the first ever National Youth Poet Laureate in 2017, and she stole the show. Which, like, I’m grateful that everyone got to see the power of literature in action on such a vulnerable day, but I was also a little surprised that people almost…weren’t seemingly aware of the magic of a good poetry reading.



 Even my dad—who has to live with me for goodness sakes!—was like, “Oh, wow, that was good!” And my cynical self can only think, “Yes, breaking news for 2021: poets are good public speakers. Shocking!” Gorman read the poem “The Hill We Climb,” and it really was incredible and poignant and the perfect balance of things we needed to hear—and I kind of expected it. I know so many incredibly talented poets by trade—Jacque, Winniebell, Mawi—and incredible hobbyist poets; I know why poetry matters. I know it can change people, and I know it can speak to people when other words fail. So I was very happy (to see Amanda Gorman, a young Black woman, have so much impact on a national scale) and very frustrated (to have it further confirmed that the Arts are not widely available and taught to students in ever field).

Insert "forever my First Lady" here
Other Inauguration highlights included Michelle Obama’s outfit, 






comparisons between Lady Gaga’s outfit and The Hunger Games (which is where this blog started, so that’s pretty apt), 

Truly  incredible. A fashion icon.











and, of course, Bernie Sanders using a meme of him to raise $1.8million for charity.

Truly, no one was safe from the Bernie memes. 
Here he is with the Golden Girls, looking cozy and
unbothered.


In other “good-but-harrowing” news—of which there is far too much these days—the whole Cline Clan has had their first dose of the COVID-19 vaccine. We were vaccinated on Thursday, February 11th at the Jacksonville Community Center. The actual process of getting vaccinated that day went fine. It was mostly smooth, no major problems—it was everything leading up to that point that was terrifying and terrible.

The week of February 1st, “they” (FEMA, Calhoun County, the State of Alabama???—I really don’t know, but it was circulating on Facebook) announced educators would be eligible for the next round of COVID vaccines and that Jacksonville Community Center would be added as a vaccination site one for 2 days. From what I understand—and, again, it was a mess, so information was not disseminated well—there were 1000 vaccines to give out each day…and we had to register online.

It was like the fucking Hunger Games. They used Eventbrite—yes, the same website you can buy concert tickets on—to give out “tickets.” (See side rant below.) The website went live at 7AM, and Mom, Dad, Eric, and I were each stationed at separate computers (me and Dad at home, Mom at work, and Eric at Wesley House dorm) refreshing the screen hoping that one of us would get in. (It reminded me a lot of my Sophomore year of college when Jennie, Bailey, Meg, and I all sat around to get a “good room” as soon as the housing website went up—but that seems so stupid in comparison to what was at stake here.)

Of all of us, Mom got in. And she called me. She sounded so scared, because she honestly didn’t know what to do once she got in and she was terrified that she wouldn’t be able to get us all tickets. So I tried to talk her through it without actually seeing her screen. In the meantime, though, I sat with Dad, who had managed to make it “into the queue” just in case something went wrong. (My computer, which was just in another room of our house, never did make it that far.)

The sign-up was weird. We needed to get 4 tickets, so we needed to sign up for 4 separate spots. The website would let us select up to 8 tickets at a time. At the time, Mom thought she would need to fill out the information for each ticket separately, and—this will stick with me forever—she started with Dad’s name. There were several minutes there where my mother—my big-hearted, sassy, impatient, loud, ridiculously strong and smart and giving mother—thought she was going to have to choose what order to get her family this vaccine, thinking that she might not be able to get all 4 forms filled out before all the spots were taken. And she put Dad’s name first—because he’s in his 60s, and he has diabetes, and he’s on kidney dialysis. And I like to think that anyone in my family would have done that, too, but I think it’s human nature to put your own name first when you’re under that kind of pressure. On one hand, it’s self-preservation, but, on the other, it’s a knee-jerk reaction. But Mom started with Dad. And I’ll probably cry every time I think about that for the rest of my life.

So that’s how Dad’s name ended up on all 4 of our tickets. At no point did Mom have to go back and put in different names. (Which makes sense because it’s Eventbrite. When I bought Jonas Brothers concert tickets, I bought all 5 tickets on my card, and everyone paid me back. No need to do them individually.) The whole “one name” thing did cause a bit of an issue when we went to get tickets, but the nice people running it reassured us that we weren’t the only people it happened to. It was an issue with the system (no shit).

After Dad got the confirmation email confirming “his” tickets, I was still on the phone with Mom. I remember saying “You did it, Mom. We’re in.” I remember looking at those tickets like they were gold, like I was Charlie-freaking-Bucket, and I was going to willy Wonka’s Chocolate Factory. And, at this point, a vaccine is about as valuable.

I cried that day. And I felt guilty. K-State is teaching online. I don’t even teach in Alabama. I couldn’t help but feel like I was “taking” a vaccine from an elementary school teacher who is teaching in-person or a grandmother who’s been teaching for 50 years and is extra vulnerable. I’ve just always put others first (which I feel weird even saying), and this is honestly why I wouldn’t do well in a zombie apocalypse scenario. But I know that I need this vaccine just as much or more so than others. I will be going back to in-person teaching, and I do have an autoimmune disease (as much as I try to deny it). So I got it…and I tried not to feel too bad about it.

 (Here’s my side rant—it’s so fucking surreal to use Eventbrite. I understand that it’s probably a useful format, but no one changed any of the language. When we were waiting to get in, they told us that we were “in the queue for a popular event.” When we got the tickets, they said, “Congratulations! You’ve got tickets!” The whole thing felt like some twisted event that the Capitol would throw. It was sickening. Like, it still gives me shivers to think that this was being treated the same way as the Jonas Brothers concert was.)


As a palette cleanser, I’ll end with all my good-good news! Thankfully, there’s been some of that!


First, I’M PUBLISHED!!! I got the email in September, and I couldn’t really say anything about it until the end of January when the issue came out. But I’m published in the inaugural issue of The Journal of Fantasy and Fan Cultures. Adrianna Gordey actually sent me a link to the CFP back late last Spring because they were doing a special Harry Potter issue! Obviously, I knew that was meant for me, so I submitted the paper I wrote for Anne Phillips’ seminar class. Of course, not 2 week later, JKR went full-on TERF, and I thought I lost everything that made me special as a scholar. That set publication back some, as did COVID, but I was really pleased to see that they went through with it. It’s a small journal specifically for graduate students, but the topic was so fitting that I knew I wanted to be part of it. And it’s just the first of many, I’m sure.

In other Potter-related good news (which there isn’t much of these days), Phil nominated my Master’s Project for the ChLA Graduate Student Essay Award!! Needless to say, I was shocked. Someone from my cohort has won that award or been an honor recipient the last 2 years—Molly Burt was awarded an Honorable Mention for it our first year, and Dustin Vann won it last year—so that’s immediately what I thought about when Phil wanted to nominate me. Now, I should be thrilled, because that means he thinks my paper’s on par with the best Children’s Lit graduate work in the country and that my paper could even win it—and, like, Phil’s a big deal. He knows Children’s Lit—but I’m actually just kind of nervous about the “legacy” of K-State. Ebony Elizabeth Thomas once called us the “Avengers of Children’s Lit!” That’s just a little bit of pressure. But I made a lot of edits to my project, and I really like the finished product, so even if it doesn’t win, I’d like to pursue publication for it. I had Jamie Bienhoff (who graduated from K-State 2 years ahead of me) look at it, and she thought it was really good and accessible and relevant, so I’m excited about its potential. Obviously, I struggle with balancing confidence and expectations, and I don’t want to get my hopes up too much, but it would feel so good (and wildly surreal) to win that. I guess we’ll see.

Finally, still academic-related but not about Harry Potter, this week I got re-accepted to the Popular Culture Association (PCA) national conference! I was supposed to present last year when it was in Philadelphia, but it got COVID cancelled. Jacque, Noelle, Molly, Dustin, Mikayla, Lexi, Katherine Dubke, and I were all going to go and share an Air BnB and take a day trip to NYC. It was slated as our “last hurrah,” and I was so, so, so excited. I will never be over the fact that I should have had that experience by now. (I was going to see the Balto statue in Central Park!!! Like, that’s my DREAM!) And we were all going to present fun papers that weren’t related to our schoolwork, because we would all be done with our defenses by then. I was going to present a paper on driving allusions in Taylor Swift songs…and that’s exactly what I’m going to do this year!




PCA is virtual this year, so I’ll 100% get to present, and I’m so excited for that. As you may have heard, she’s also dropped 2 more albums since this time last year, so I have even more material to work with! This paper started when Mikayla and I were sitting on the floor of my spare room crafting and listening to T. Swift (as we do pretty regularly), and one of us said, “She’s never the one driving in her songs.” And I think it was me who then came up with the conspiracy that “maybe she can’t drive.” And then we just started spitballing back and forth about driving and when she drives and when she doesn’t drive—and that was before Lover dropped. Mikayla said something to the effect of, “If she drives on Lover [because it will be the first album she owns outright], you know you’ll have to write about it.” And then, lo and behold, in “I Think He Knows,” she says, “Lyrical smile, indigo eyes, hand on my thigh / We can follow the sparks, I’ll drive.” And, well, a promise is a promise.

 

So those are the highlights of 2021. I’ll see you tomorrow for a special, uber reflective birthday post.

Until then, may the odds be ever in our favor,

Katie

Monday, September 21, 2020

Captain's Log, Day 23: A Non-Football Fan’s Love Affair with Football

Date: September 21, 2020

Time of post: 10:40PM

Quarantine Day: 180

Last Song I Listened To: “The Boys of Fall” by Kenny Chesney (obviously)

Last Person I Communicated With: Meg McCrina via Instagram DM

Last Thing I Ate: cinnamon tea and a croissant

Last Thing I Read: my own essay that I was editing

Current Mood: ~n o s t a l g i c ~

One Thing I’ve Accomplished Today: made edits to an essay!

One Thing I Want To Accomplish Today: start grading some (more) papers…or maybe just HW assignments

One Reason I’m Stressed Today: so much to grade! And I just found out that I have about 2 weeks less time to work on a presentation that I thought I’d have

One Reason I’m Happy Today: spontaneous Zoom chat with one of my undergrad professors today!


Dear Apocalypsers,

We get a few days of 50-degree weather a couple weeks ago, and I get nostalgic. To be fair, nostalgia is my favorite emotion, so it doesn’t take much, but, every fall, without failure, you can expect me to wax poetic about some seemingly insignificant thing.

Since moving to Kansas in 2018, that “thing” that really gets me misty-eyed is…football.

I know, I know. The Alabama girl getting worked up about football is the most cliché thing ever. But you have to know me: I don’t like football.

Granted, my behavior might say otherwise:

Growing up in a college town, I was a fixture at JSU gamedays from the time I could toddle. (I didn’t pay much attention, but I really liked the mascot and the band.)

I went to every high school football game from 7th grade to senior year. (Years 8-12 I was in the marching band, though.)



I played on the Powder Puff team my senior year. (I was an offensive linewoman, FYI.)



Once I got to college—the same campus and stadium I frequented as a tot—I went to every home game for four years. (What can I say? My roommate was in the band; I like school spirit and winning.)



I hosted a “First NFL Game of the Season” party and a Super Bowl party for the 2019-2020 season.



But I’m still not sure I like football.

To be fair, I still don’t know all the rules. My brother literally taught me what the phrase “ice the kicker” means today—it’s when the other team calls a timeout right before the kicker kicks the field goal to throw him off his game. I didn’t learn what a “pick 6” was until undergrad—that’s when there’s an interception (the ball’s “picked off”) that’s run back for a touchdown (which is worth 6 points). Thank you to my football friends who patiently sat in the stands and explained football terms to me for 4 years. I’m still trying to learn the fouls and what they mean, but I usually just gauge my reaction on whether or not the home crowd boos.

But football, for me, has never been based off the sport. It’s the people. It’s the memories. It’s the nostalgia. Even my favorite teams are rooted in people. My parents grew up just outside of Pittsburgh, and we're big Steelers fans. I was really into Troy Polamalu as a kid. I think I liked his name. Or maybe his hair. My other team now is the Kansas City Chiefs, for the sole reason that they’re the “hometown team,” and I love a hometown team. Plus, Patrick Mahomes is such a cutie, inside and out. (Fun fact: I was once in the same room as Patrick Mahomes AND the Jonas Brothers. Okay, it was arena. For the Jonas Brothers concert last year. And I never saw Mahomes. Still, technically I was in the same room as them.)

My biggest NFL memories include youth group Super Bowl parties where we paid more attention to the halftime show and the commercials than we did to the game and popping into the living room on Sunday nights to ask my dad, “Who are we cheering for?” (For the record, the answer is “Not the Ravens” whenever the Ravens are playing. Same for the Patriots and the Cowboys. Dad has always liked an underdog, so we usually cheer for them.)

As I’ve gotten older, I’ve developed a few opinions, like how I think Russell Wilson (Seattle Seahawks) is a good guy or how like the Watt brothers (JJ for the Houston Texans and TJ and DJ for the Steelers) because of all the fundraising they did when Texas flooded. I melt at how much Patrick Mahomes loves KC, and I fume any time Jerry Jones’ (owner of the Dallas Cowboys) name is brought up because of how he spoke/speaks about the Black Lives Matter movement and forbids his team from kneeling. I’m a sucker for a human interest story, too. Catch me tearing up whenever a player talks about buying their parents a house or they air a heartwarming pre-game feature about a player who overcame big odds to play pro football. (Shaquem Griffin? The Seahawks’ linebacker who had his left hand amputated when he was 4? I actually cried the first time I learned about him.)

Even writing that previous paragraph, I had to look these players up. I couldn’t have told you what team Griffin plays for. I don’t even know what a linebacker does. Does it matter that he only has one hand? Does he ever touch the ball? I don’t know. It’s not about the sport.

When I was young, I liked the energy—the palpable crowds, the competition, wearing matching shirts, and getting to scream. Once I hit high school—and, even then, not until my Sophomore-ish year—it was personal. I knew people on the team. Come Senior year, it was REALLY personal.

My Senior year of high school was magical. (“As it should be,” my mom snuffled when I brought this up to her over the weekend.) Really, Netflix should have made a movie about the Jacksonville High School Class of 2014. The highlight of my Senior year fall was football season. The new administration reinstated the Powder Puff football game after a 6-year absence—there was some vandalism and destruction of property involved—only to try to cancel it a couple weeks before the game. We even had secret practices off-campus so the principal wouldn’t find out. And, during those weeks leading up to the Powder Puff game—which we didn’t even score during, let alone win—my class got closer than ever: football players and band kids and cheerleaders and popular girls and nerds and athletes. I talked to people I hadn’t spoken to since elementary school—and we got along. Shoutout to our coaches LaVonte, Reid, Payton, and Dominique, who showed us nothing but patience as they taught us all actual football terms and plays. (I remember the word “sweep,” but I couldn’t tell you what I was supposed to do during a sweep. Run left? Run right? Who knows?) They made sure we all had a position to play—even me, and I have NO athletic ability. 


Those same guys brought some of their teammates to a marching band competition later that season, and if anyone knew less about something than I knew about football, it was their knowledge of band. But they came. And the band took home some serious hardware that day.

Can you spot the football players?
(Can you spot the football players?)


But Powder Puff wasn’t the only football highlight of Senior year. Our football team was actually good. We’d been on the upswing for a couple years, following more than a few 2-8 seasons, but the 2013 season was *chef’s kiss*. We beat our arch-rival in triple overtime on Senior Night when their extra point kick bounced off the upright. It was magical. Then, we hosted the first round of 4A state playoffs for the first time in history, and we won. When we lost in the next round to the team that would ultimately go on to win State that year, I bawled my eyes out for the whole fourth quarter. When the players lined up in front of the “Do It For The Moms” banner on the sideline and cried while singing our alma mater, I was inconsolable.





Like I said, we were movie material.


Maybe it’s the culture of small Southern towns. Maybe if I had grown up in a different region, in a bigger city with more funding, I’d get teary-eyed over debate team scenes or that Scholar’s Bowl scene in _Mean Girls_. As it is, though, I romanticize the heck out of football now, and there’s no bigger football in the South than SEC football.

I have a distinct memory of being in third grade, and every day my teacher would have us answer a question, and we’d put a star with our name on it by our answer. This particular day, the question was, “Who’s your favorite football team?” Our choices were “Alabama,” “Auburn,” “JSU,” and probably “Other.”

Now, if you’re not from Alabama, you might not fully realize the significance of the Alabama vs Auburn rivalry.

It is a barely contained war. (Don’t even get me started on the Iron Bowl.)

Former Auburn head coach Tommy Tuberville is runningfor Senate, and there are people who won’t vote for him because they’re Alabama fans. (That’s not why they shouldn’t be voting for him; there are endless otherreasons, but his football team association is what they’re basing it off of.) Alabama’s legendary (deceased) head coach Bear Bryant ends up a write-incandidate on ballots every election. There are babies born named Crimson, Tide/Tyde, Auburn, and Bear more often then I care to think about. A crazed Alabama fan poisoned the iconic 80-year-old trees in Toomer’s Corner on Auburn’s campus just because, “I wanted Auburn people to hate me as much as Ihate them.” And I’m very convinced that current Alabama head coach Nick Saban could start a religion to rival Christianity if he got it in his head to do so.

(PS, Alabamians reading this, vote for Doug Jones. Please.)

So back to third grade Katie. I didn’t care for either Alabama or Auburn, having Pennsylvanian parents who didn’t subscribe to either cult follow—I mean, fanbase. So I put JSU as my favorite team, because, again, they were the home team. 

I was one of 2 to do so. 

The older I got, though, the more I paid attention to college football and noticed that the names I’d hear praised by announcers on Saturdays often turned into names I’d hear on Sundays a few years later. (Like, you may or may not remember the “Scam Newton” scandal, but he’s playing for the Patriots now, and, honestly, that’s fitting. Cam Newton has the right energy to play for the Pats.) Even as a young high schooler, I thought it was pretty cool to hear about professional athletes coming from Alabama. (What can I say? It makes my heart warm to hear my home state on the news for something that isn’t our failing education system or misogynistic politics. And sometimes the pro players coming from an Alabama school aren’t involved in scandals…sometimes.) And when you’re 10/12/14/16, those 20 and 22-year-old Heisman-candidate athletes feel like adults. It’s only when you hit 18/20/22 yourself (and older) that you realize all this hype is about…kids.

And here’s where I’m going to get all sentimental.

I’ve seen football players at every stage: I’ve been 8 watching other little kids bumble around on the field in too-big shoulder pads. I’ve been 8 watching 18-year-olds sign to their dream college. I’ve been 18 watching other 18-year-olds get scouted by big schools. I’ve been 18 watching 22-year-olds win Heisman Trophies and getting drafted to the NFL. I’ve been 22 watching “that guy I had a COM class with once” play in national championship games or go to the NFL draft or get injured and end his career. Now, I’m 24 and teaching 18-year-olds with whole careers ahead of them, careers that have been and will continue to be full of grown adults literally assigning point values to them, comparing them to every other boy with a football dream in the country, putting the weight of a team and a university and a city and a region and a franchise on their shoulders sometimes, telling them how talented they are, telling them they’re not talented enough, screaming at them and tweeting at them when they have a “bad game.”

I sometimes wonder how many of the Patrick Mahomeses and Russell Wilsons and Payton Mannings and Aaron Rodgerses and Troy Polamalus and Watt brothers and Shaquem and Shaquill Griffins started playing football as little kids and never really had the chance to stop. Growing up in Alabama, some people will put their sons in peewee football at 3 or 4 years old, and they’ll play ball until they go pro or get injured. And when you do something for that long, it’s got to start feeling like the only choice, even if you love it.

I can’t even wrap my mind around that, around having an ideal life course set in place at 4-years-old. But I’ve seen it. As a Communications major in undergrad, I could have paid for college if I had a dollar for every football player who was a Broadcast major. Their plan was always to be an ESPN broadcaster after their NFL career ended.

(The football team and cheerleaders would always run over to the band at the end of the game to play "All I Do Is Win" (when we won) and/or the unofficial school song, "I'll Fly Away.")

None of them were drafted.

And I always wondered what happened to them or how they coped with life plans going so awry. I hope they found their worth outside of football.

One of the essays I teach in my freshman composition class is called an autoethnography. It asks students to write about a moment that they were made aware of a part of their identity in a way that they maybe hadn’t thought about before.

Every semester, I have an athlete who wants to write about being an athlete. We talk about it, and I almost always let them, because I know firsthand how important sports are to people, and, for some of these students, being an athlete is all they’ve ever known. It’s what they’ve been working toward for years, it’s why they’re able to afford college; it’s their identity.

But in my own little ways, I try to remind them that they’re more than an athlete, so in case they (God forbid) get hurt, they won’t see it as the end of their lives; so if they don’t go pro they won’t see themselves as failures; so that even if they become the hotshot star player with the eyes of every sports-loving fan in the nation boring into them every weekend, they’ll remember that their ENGL 100 instructor really only cared if they turned in their essay on time, and maybe they’ll find that a little comforting.

There I go again, romanticizing football. Being from the South, football tinges a lot of aspects of my life, even if I don’t retain the actual nuances of the game. I definitely spent a lot of time fighting against it, because how dare football get more funding than the Arts? I tried to be too cool for it, to shake the stigma that Southern football fans were just beer-drinking, tobacco-chewing, toothless, middle-aged white men who poisoned trees for the hell of it. But the truth is that some of my best memories from growing up come from football-adjacent events. From the people I spent time with while tolerating the thing I didn’t enjoy.

I don’t honestly expect my football players—or any of my students—to remember me. I won’t remember all of them. Even the ones I do remember now will probably fade if I keep teaching long enough. But, as a whole, I do wonder who those wide-eyed freshmen in my classes will grow up to be. I mean, someone had to be Patrick Mahomes’ freshman comp teacher, right?


May the odds be ever in our favor,

Katie





Monday, July 27, 2020

Captain's Log, Day 21: "this is me trying" To Tell You That It's Not A "hoax"--Taylor Swift Now Has 8 Albums, Not "seven," And folklore Could Be "the 1" You Love Most Of All!


Date: July 27, 2020
Time of post: 3:25 AM
Quarantine Day: 124
Last Song I Listened To: “this is me trying" by Taylor Swift
Last Person I Communicated With: Snapchatted Jacque (because she’s the only person awake at this hour)
Last Thing I Ate: double chocolate cheesecake with dark chocolate gelato
Last Thing I Read: a draft of a short story that Jacque Boucher wrote and sent to me!
Current Mood: dreamy because I’m thinking about Taylor Swift
One Thing I’ve Accomplished Today: I wrote this blog!
One Thing I Want To Accomplish Today: maybe work on some crafts with Mom
One Reason I’m Stressed Today: moderately concerned about COVID because it seems to be creeping closer to my family
One Reason I’m Happy Today: I got to read Jacque’s short story!

Dear Apocalypsers,

It’s another long one, folks, so buckle up! By now, you might have heard—Taylor Swift dropped a surprise album on the 24th.

It was, like, kind of a big deal.

So, funny story about my folklore experience: I didn’t sleep the night before the announcement. It wasn’t intentional. I slept until 3PM on the 22nd (because I was awake at 3:30AM with when my mom’s blood sugar dropped), so I couldn’t fall asleep that night. We had to have Duck at the vet at 8AM on the 23rd, so I knew I’d need to be up around 6:45AM, and when I still hadn’t fallen asleep by 4AM, I decided it would be easier to power through than to sleep for 2 ½ hours. So I did some work, and, then, at 7AM, my phone exploded.

Savannah Winkler (bless her heart, I don’t know why she was awake, but she was) sent me Taylor’s first “folklore aesthetic” post on Instagram with a message like, “She just posted 5 of these in a row! A new era??” And then I got the notifications from Taylor’s Instagram and Twitter.
I cried. I walked into my parents’ singsong-yelling, “Fam-jam! This is not a drill! Taylor Swift is dropping a new album at midnight!”

I highly recommend this whole album, but my personal favorites are "cardigan,"
"seven," "august," "invisible string," and "peace."


My mother, who was awake, but is about as much a morning person as I am on a regular day, was not amused. But she listened to me jabber about T. Swift the entire day. I mean, the entire day (with the exception of the 2-hour nap I took that afternoon). And she’s continued to listen to me talk ceaselessly about Taylor Swift whenever I pause listening to the new album and emerge from my room for meals.

Basically, my mother is a saint. She deserves some kind of award, I will forever be grateful for her.
So, to give Brenda Cline a reprieve, I’m here to tell you all about my #folklorefeelings. I’ve had two group chats, multiple text message threads, and one Zoom call devoted to this album, and I’m still noticing new things every time I listen to it! I’m not sure it’ll ever be my favorite of her albums, but I think it’s her best one so far, and there’s so much I want to say about it.

(Side note: Taylor doesn’t have a bad album. Each one is so important to me, and there truly is a Taylor Swift song for every occasion. My taste in music is like my personality—big and upbeat and poppy and sweet—and this album is the opposite. But it’s beautiful like fine art or poetry or a gothic manor on the foggy moors or a forgotten cottage in the woods that’s been overtaken by flowers and ivy. It’s definitely a specific mood, and that’s okay. I will love it forever just like I do all her albums.

Side side note: I made Pinterest mood boards for each T. Swift albums, if you're curious as to how my mind interprets her music.)

The album is called folklore (yes, all lowercase). It’s her 8th album, and it’s an indie/alternative/folk album—so different from anything she’s done before. She wrote it all during quarantine. Literally, start to finish, in, like 3 months. And, I mean, I’ve done some small things, but I haven’t written 17 songs, directed a music video (see below), and designed a line of merch. I honestly can’t say enough how lucky I feel to be alive at the same time as an artist like Taylor Swift. If she doesn’t go down in history with the likes of Elvis Presley and Frank Sinatra and Stevie Nicks and Dolly Parton, I will personally haunt some important music mogul until they pay her the respect she’s due.



But that’s just the thing—Taylor’s never gotten the respect she deserves, and I don’t just say that because I’m a fan. She talks in Miss Americana about how women in music are expected to reinvent themselves every few years so they “stay interesting.” I mention in an earlier post that she’s always gotten a lot of flack for writing about her relationships and even name-dropping people in songs (which she honestly doesn’t do negatively most times) whereas her male counterparts don’t get that same criticism.

And, in that vein, Noelle sent me this tweet earlier of someone making fun of Taylor’s writing. It says, “Working on ‘Taylor Swift phrases’” and it has “examples” like “rusty sun-kissed carousel apology,” “champagne-dusted barn door whispers,” “wine-drunk porch swing bus stop fights,” and “invisible neon coffee mug high.” Now, I’m not saying that Taylor Swift has to be your favorite musical artist—my best friend still refers to her as “that blonde chick you like” as a joke because she didn’t know about her until she met me in undergrad—but I think you should respect what she’s achieved in her career. She’s not popular for no reason. She doesn’t have 10 Grammys (2 for Album of the Year) for no reason. folklore didn’t sell 1.3 million copies in the first 24 hours with no promo for no reason. And I hope Noelle doesn’t mind, but I totally agree with what she said in our chat: “It’s clearly sexist, because we never do that to men writing more ‘sparkly’ figurative language.” We don’t tease them. We canonize them. Hamilton is a cultural phenomenon, and it has lines like, “If Washington isn't gon' listen / To disciplined dissidents, this is the difference / This kid is out” (Jefferson in “Washington On Your Side”) and “And the gossip in the New York City is insidious / And Alexander is penniless” (Angelica in “Satisfied”) and “Yo, I'm a tailor's apprentice / And I got y'all knuckleheads in loco parentis” (Hercules Mulligan in “My Shot”). Lin Manuel-Miranda won a Tony for writing those lines. I’m sorry you’re throwing a fit about Taylor using words like “clandestine,” “gauche,” and “mercurial” on this new album. Don’t be jealous; green isn’t your color.

In her letter to fans talking about the inspiration for the album, Taylor talks about the choice of title, saying:
“A tale that becomes folklore is one that is passed down and whispered around. Sometimes even sung about. The lines between fantasy and reality blur and the boundaries between truth and diction become almost indiscernible. Speculation, over time, becomes fact. Myths, ghost stories, and fables. Fairytales and parables. Gossip and legend. Someone’s secrets written in the sky for all to behold.”

That’s been Taylor’s career. She’s been talked about and belittled and underestimated. Tabloids have spread rumors. Fans have formed images of her in her head, and fans of her more famous exes have formed other images. So, even though folklore is meant to highlight her as a storyteller and these songs aren’t about her personal experiences, I’d argue that this album is simultaneously all about Taylor, because we’ll be talking about her long after she’s gone and passing down her songs for generations.

Okay, now for the music.
My favorite thing I've ever tweeted, tbh.


As I listened through folklore the first time, I took notes on each song, because I knew I’d never be able to hear them for the first time again, and I wanted to try to preserve that moment. And, as it turns out, that “moment” is a lot of me writing “oh damn,” “wow,” “HER VOICE OMG,” and “I need to replay this.” The word “breathless” came up a lot, too. I was literally obsessed with it from the first minute.

And then my Nerd Brain activated. Like I’ve said before, I’ve been listening to Taylor Swift for 14 years now. I’ve stuck by her through her country phase and her “white feminist” stage, and I’ve seen her blossom into her new era of political activism and killer music. I’ve watched her grow, and I’m proud of her in a way that’s probably strange for someone I’ve never met. But, because I have been so invested in her music for so long, I noticed some things even on that first listen through of folklore: she revisits quite a few themes and scenarios from her debut album.

And I want to write a paper. Eventually, I’d like to write a book.

A little over a year ago, I stumbled upon an article by Tara Chittenden called “In my rearview mirror: Female teens’ prospective remembering of future romantic relationships through the lyrics in Taylor Swift songs,” and I was fascinated by it. But it was published in 2012, the same year that Taylor’s fourth studio album, Red, was released. Taylor’s now had four more albums, changed record labels, and has down a lot of personal growing (as one does between the ages of 16 and 30), and I think it’s time to update Chittenden’s perspective.

All I have so far is a few pages of notes, but, basically, I want to look at “Mary’s Song” from her debut album and “seven” from folklore and see how Taylor treats young love in both songs. The two have similar settings and both follow the stories of childhood relationships. I won’t say too much here, because I don’t want to jinx myself, but, in “Mary’s Song,” Taylor tells the story of a presumably heterosexual couple throughout their lives, from when they meet at ages 7 and 9 to dating as teenagers to getting married and raising their children in the house where they met. Conversely, “seven” is about a similarly intense relationship, but it’s not explicitly clear if the children are childhood sweethearts or just friends and, if there is a romance, it may be a queer one. But one of my favorite things is that “Mary’s Song” depicts staying in your hometown and getting married to your high school sweetheart as the ideal happy ending whereas the narrator in “seven” fantasizes about running off to India and reassuring the other that their love will be passed on like folk songs; marriage isn’t a perquisite for their love to matter. And I just thought that was a really cool shift for her music. (Especially when you think about how one of her biggest songs of her early career was “Love Story,” which also ends with a wedding.)



I don’t have any formal cultural studies training, but I can close-read the heck out of a passage, and, thankfully, Taylor Swift’s lyrics are basically works of literature, and I can’t wait to dig into the lyrics and start fleshing out my analysis. I’ve even reached out to my old undergrad roommate (hey, Jennie!) to talk to her about collabing on this paper. She majored in music, and I’m really interested to see if the music reflects the same growth as the lyrics do. I think incorporating a music theory approach is something that other people aren’t doing in “English papers.” Plus, intersectional scholarship is so cool. I think everyone should work intersectionally as often as they can. I wouldn’t even say that what I want to do is a traditional English paper. But I’m not too concerned with putting a label on it right now. I’m excited about academics for the first time in weeks, and I just want to write now.



About 6 weeks ago, I wrote that I wasn’t sure where my scholarship would go after I decided I needed to take a step back from Harry Potter after J.K. Rowling’s transphobic tweets—maybe this is it. Maybe I could be a “Taylor Swift scholar,” or at least a “pop music scholar.” There’s not a lot out there on Taylor’s music; most of the articles I’ve seen have been sociology papers on her “performance of feminism,” but we study poetry, so why not song lyrics?

I’m not sure when Jennie and I would ultimately try to publish this paper or where, but as Taylor wrote in her post announcing folklore, “My gut is telling me that if you make something you love, you should just put it out into the world.”

And Taylor’s never led me astray before.

I usually say “May the odds be ever in our favor” here, but I’d like to change it up this time, with a line from folklore:

Katie