Date: April 14, 2020
Time of post: 10:50 PM
Quarantine Day: 30
Last Song I Listened To: “Gotta' Go My Own Way" from High School Musical 2
Last Person I Communicated With: believe it or not, I’m
on the phone with my mom again
Last Thing I Ate: beef stroganoff Hamburger Helper
& mint green tea
Last Thing I Read: The Way of Thorn and Thunder by
Daniel Heath Justice
Current Mood: doing better
One Thing I’ve Accomplished Today: my dishes (finally!)
and grading
One Thing I Want To Accomplish Today: read one more
chapter of Justice & write for fun
One Reason I’m Stressed Today: grading is the worst
part of my job
One Reason I’m Happy Today: had a Zoom: I started
writing for fun last night!
Dear Apocalypsers,
I’ve been a little down the last couple of entries. I’m
not saying that’s a bad thing. I’m a firm believer that your feelings aren’t
wrong—especially during a pandemic—but I’ve that just means that I haven’t been
talking as much about the good things that have been happening!
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My letter from my pen pal Reese. |
I love kids. I loved working VBS and interacting with
them—even as exhausting as it was. I even worked at my church daycare the
summer after I graduated college (and that was a time and a half, let me tell
you!). So I’m so excited that I get to have Reese as a pen pal friend. I’ll
definitely update you on our friendship.
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The picture that Reese drew for me hanging proudly on my fridge.Add caption |
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A sneak peak of what should have been by PCA presentation! |
So, what’s my paper on, you ask? Well, not to give too
much away, but it’s called “‘I’ll Drive’: Freedom and Driving in the Lyrics of
Taylor Swift.” Basically, driving has always been connected to freedom and independence,
and I argue that a close reading of repeated references to driving in Swift’s
lyrics conveys an evolution from social constraint to increased agency and
freedom. The connection between women and driving is laden with historical
context, and driving has traditionally been associated with freedom. For
example, Saudi Arabian women have only been legally allowed to drive since
2017, and firsthand accounts say that driving “allows women to assert a modicum
of individuality and freedom of choice” (Shalhoub). So, I trace images of cars
and driving through Swift’s 7-album discography—I’ve been a fan for over a
decade, so this was a labor of love, for sure—and, as time progresses, she goes
from explicitly driving in her first, self-titled debut (and once in her second
album) to exclusively being in the passenger seat in Red (2012) and 1989
(2014) There are instances of “implied driving” in these albums (and one heavily
implied instance in Reputation (2017) but she no longer says “I
drive” … until her latest album, Lover (2019). If we trace Swift’s
personal life and career alongside her albums and driving references, we can
see the lack of her own driving in her songs reflects the lack of control in
her career: the Kanye West feud and subsequent ridicule she faced, her own
struggles with eating disorders, the public slut-shaming by the media, and the
rocky relationship with her former record label. Lover was created and
released at a time when Swift is the most in-control of her career and life
that she’s ever been: now with Republic Records, she owns the master recordings
of all her future music; she left the public eye and social media for a year to
write and prioritize her relationships with her family and longtime boyfriend
Joe Alwyn; to quote her own music, she’s “doing better than [she] ever was” (Swift).
So yeah. That’s my paper. Tune in later to get all the
details and see the insane amount of energy I put into the PowerPoint lol.
But there’s still more good!
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Here you can see where I've sorted and color-coded everyone by their year and dorm. Just looking at this makes my inner Ravenclaw very happy. |
My other project has been a massive Harry Potter AU
spreadsheet featuring all of the grad students. I got their birthdays so I
could figure out when they would turn 11 and start at Hogwarts; I put everyone
in Houses, and I sorted everyone into their dorms! So now I know who I’d be living
with if my grad school community attended Hogwarts. (I may have—with the help
of others—also added some of the professors in as Hogwarts employees, but given
the eyes that will read this and the fact that I haven’t officially graduated
yet, I won’t go into detail about that.) It was just so nice to have a project
and imagine a world that isn’t this one. I’ve basically been picturing myself
at Hogwarts since I was 7-years-old, but to build a world around it makes it
feel even more immersive and real—even more real than this mess we’re actually
living through. I spent 3 hours on Zoom with Molly, Mikayla, Lexi, Dustin, and
Noelle talking about character arcs and story plots and how we would have met
and what jobs we’d want in the Wizarding World, and it felt so nice to be able
to answer “What do you want to do with your life?”, even if it’s in a fictional
world. I think this is what they call “escapism,” haha.
So that’s what I’ve been up to recently. These weird
niche interests are what’s keeping me going. I’m not even ashamed of it. I’m
just trying to make the best of this absolutely wild situation.
It’s kind of like a quote from Daniel Heath Justice’s The
Way of Thorn and Thunder: “Yes, much had been lost, but not all” (125). I’ve
lost a lot this semester, and my heart aches for those things, but I refuse to
just “lay down and die,” so to speak. I want to salvage as much as possible.
Like I said last time, I can’t afford to lose hope. It’s all I have left.
"Yes, much had been lost, but not all" (pg 125) is a good message for these times.— Katie Cline (@katiebethbug) April 14, 2020
"Your strength & bravery are very much needed at this grim time. But, for now, rest & let your heart be light; you've had far too many burdens on your strong, young shoulders lately" (pg 132)
May the odds be ever in our favor,
Katie
Works Cited
Justice, Daniel Heath. The Way
of Thorn and Thunder: The Kynship Chronicles. University of New Mexico
Press, 2013.
Swift, Taylor. “Call It What You
Want.” Reputation, Big Machine Records, 10 November 2017.
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