Showing posts with label Hunger Games. Show all posts
Showing posts with label Hunger Games. Show all posts

Wednesday, February 24, 2021

Captain's Log, Day 30: Update on the State of the World

 

 Date: February 24, 2021

Time of post: 10:01 PM

Quarantine Day: 336

Last Song I Listened To: "Shape of You (Stormzy Remix)" by Ed Sheeran

Last Person I Communicated With: Sent Meg a Facebook message

Last Thing I Ate: tacos and Diet Coke

Last Thing I Read: The Ravens by Kass Morgan & Danielle Paige

Current Mood: *excited*

One Thing I’ve Accomplished Today: graded some homework assignments, sent several tedious emails

One Thing I Want To Accomplish Today: help Mom tidy up a little

One Reason I’m Stressed Today: lots of student emails about things I've definitely already explained

One Reason I’m Happy Today: Yesterday I got accepted to the (virtual) 2021 PCA/ACA Conference! I was going to go last year, but it was cancelled due to COVID. I’ll finally be presenting my Taylor Swift driving paper.

 

Dear Apocalypsers,

This is another interlude post, just to catch us all up on everything that’s happened in 2021 so far. It’s been a year already. So, to my grandchildren, when you read this, don’t repeat some of the language you see here but please know that Grandma was on the right side of history.

On January 6, literal domestic terrorists in the form of a MAGA mob broke into the fucking Capitol building and made it to the Senate floor—while Congress was in session. Thankfully, Congress was able to evacuate before the floor was breached, and they were all safe. Personally, I think Hawley (Missouri), Tuberville (Alabama), Cruz (Texas), and the rest of the Republicans (at this point, yes, all of them, because they should have denounced their party a long-ass time ago) should have just hung out with their constituents in the hallways. Those sorry excuses for human beings broke into Nancy Pelosi’s office (she’s the Speaker of the House). They were actively looking for Rep. Alexandria Ocasio-Ortez. They wanted her dead. There’s a picture of an AssHat (what I will be calling the terrorists throughout this paragraph) pictured holding zip ties, like they were going to take hostages. As many people on Twitter pointed out, we ere *this close* to seeing executions live on national television.


And what did our sorry fucking excuse for a president do??? Trump just sat there. Literally! Some outlets said he was paralyzed; others basically insinuated that he was just fascinated like he was watching a TV show.

Fuck Trump. Fuck the Republican Congresspeople who egged it on. Fuck the individuals who partook in it. It’s fucking disgusting. I hope every last one of them burns in their own personal hell.

Oh, look, AssHat with zip ties. They were going to abduct people. It was so scary. [photo by Win McNamee/Getty Images]

And why did they do this, you might be asking? Because they were opposing the ratification of Joe Biden as President—because Trump fucking told them to. There were so many tweets about them planning this goddamn raid—and no one did a damn thing about it. Some of the fucking cops just let the mob waltz in and took selfies with them. (See why we need to defund, reallocate, and restructure the entire police force?)

I’d like to say I’m surprised. But I’m not. Trump has been inciting violence for years. It makes complete sense that it boiled over to this.



I was at Jennie’s apartment when it happened. We were writing an article on Taylor Swift those few days, and we just kept refreshing Twitter and watching the news. It was so surreal—and as more and more information came out about Trump and certain Congresspeople’s involvement, it just got worse. You don’t think about how you’ll react to an attempted coup. No matter how many times you’ve read or seen The Hunger Games, you probably won’t act that way when you’re faced with it. But it did feel like I was in the Districts watching an attack on the Capitol…but, in this case, the Capitol was actually trying to fix things. So we just sat with baited breath and watched—watched as the National Guard wasn’t called in; watched as Eugene Goodman led an angry mob away from the door where Congress was meeting; watched fucking terrorists with face paint and horns and Confederate flags scale walls and parade through the Capitol building.

And then it was over.

But can a country ever come back from a Presidentially-sanctioned coup? I don’t know. I don’t think so. Not completely. I guess we’ll see.

A rioter takes the Confederate flag into the Capitol building...which didn't even happen during the Civil War. [photo by Jim Lo Scalzo/EPA/EFE]


I guess there was one positive thing worth highlighting for posterity: the kids. Once again, Gen Z has proven that they really don’t mind shutting down Trump’s fascism using social media. I may have mentioned how the K-Pop stans bought all the tickets to a Trump rally and then didn’t go, and this has the same energy. The childrenof MAGA rioters were identifying their parents from pictures and reporting them to the police and FBI. It was pretty incredible (and hilarious) to watch. And I think, years from now, we’ll realize how brave that was.

For one thing, it’s so hard to break from what you’re brought up with. Having social media and the Internet from such a young age does make it easier to be exposed to new ideas, and I’m sure that’s part of it. I also think that hatred is taught, so if these kids were seeing other stories online, it would be easier to ignore their parents’ bigotry. There’s also a lot more discourse about “just because they’re your parents doesn’t mean you owe them anything or that you have to love them”—which really flies in the face of what Boomers and Gen X were taught and then taught us (for the most part).

So all these little things definitely could have helped. But at the end of the day, these teenagers on TikTok and Twitter put themselves in risky situations to report their parents because it was the right thing to do. We don’t know what backlash they faced at home or from their extended families or from their communities. But they still did it. And that just kind of reinforces what all those dystopian YA books taught me: that young people are cool as hell, and that, given the chance, they’ll step up.

In related news (since it’s what the domestic terrorists were “protesting”), Joe Biden and Kamala Harris were sworn in as President and Vice President on January 20, 2021. I was honestly a little worried that something would happen at the Inauguration, but it seemed to have gone smoothly. They also sent a lot of National Guard to D.C., so that probably deterred some protests. Mom’s-coworker-Jill’s youngest song, Caden, was in D.C. with a few Alabama National Guard units, so that brought it all home a little. There are tons of pictures that went around showing what the Capitol Building looked like on the 6th vs. the 20th, and it was really sobering to see. But there was also a lot of hope. Like maybe things will get better under this new presidency. They have to.

The Capitol building on January 6th vs.


the Capitol building on January 20th during Biden's Inauguration


The highlight of the Inauguration, though, was Amanda Gorman. She was named the first ever National Youth Poet Laureate in 2017, and she stole the show. Which, like, I’m grateful that everyone got to see the power of literature in action on such a vulnerable day, but I was also a little surprised that people almost…weren’t seemingly aware of the magic of a good poetry reading.



 Even my dad—who has to live with me for goodness sakes!—was like, “Oh, wow, that was good!” And my cynical self can only think, “Yes, breaking news for 2021: poets are good public speakers. Shocking!” Gorman read the poem “The Hill We Climb,” and it really was incredible and poignant and the perfect balance of things we needed to hear—and I kind of expected it. I know so many incredibly talented poets by trade—Jacque, Winniebell, Mawi—and incredible hobbyist poets; I know why poetry matters. I know it can change people, and I know it can speak to people when other words fail. So I was very happy (to see Amanda Gorman, a young Black woman, have so much impact on a national scale) and very frustrated (to have it further confirmed that the Arts are not widely available and taught to students in ever field).

Insert "forever my First Lady" here
Other Inauguration highlights included Michelle Obama’s outfit, 






comparisons between Lady Gaga’s outfit and The Hunger Games (which is where this blog started, so that’s pretty apt), 

Truly  incredible. A fashion icon.











and, of course, Bernie Sanders using a meme of him to raise $1.8million for charity.

Truly, no one was safe from the Bernie memes. 
Here he is with the Golden Girls, looking cozy and
unbothered.


In other “good-but-harrowing” news—of which there is far too much these days—the whole Cline Clan has had their first dose of the COVID-19 vaccine. We were vaccinated on Thursday, February 11th at the Jacksonville Community Center. The actual process of getting vaccinated that day went fine. It was mostly smooth, no major problems—it was everything leading up to that point that was terrifying and terrible.

The week of February 1st, “they” (FEMA, Calhoun County, the State of Alabama???—I really don’t know, but it was circulating on Facebook) announced educators would be eligible for the next round of COVID vaccines and that Jacksonville Community Center would be added as a vaccination site one for 2 days. From what I understand—and, again, it was a mess, so information was not disseminated well—there were 1000 vaccines to give out each day…and we had to register online.

It was like the fucking Hunger Games. They used Eventbrite—yes, the same website you can buy concert tickets on—to give out “tickets.” (See side rant below.) The website went live at 7AM, and Mom, Dad, Eric, and I were each stationed at separate computers (me and Dad at home, Mom at work, and Eric at Wesley House dorm) refreshing the screen hoping that one of us would get in. (It reminded me a lot of my Sophomore year of college when Jennie, Bailey, Meg, and I all sat around to get a “good room” as soon as the housing website went up—but that seems so stupid in comparison to what was at stake here.)

Of all of us, Mom got in. And she called me. She sounded so scared, because she honestly didn’t know what to do once she got in and she was terrified that she wouldn’t be able to get us all tickets. So I tried to talk her through it without actually seeing her screen. In the meantime, though, I sat with Dad, who had managed to make it “into the queue” just in case something went wrong. (My computer, which was just in another room of our house, never did make it that far.)

The sign-up was weird. We needed to get 4 tickets, so we needed to sign up for 4 separate spots. The website would let us select up to 8 tickets at a time. At the time, Mom thought she would need to fill out the information for each ticket separately, and—this will stick with me forever—she started with Dad’s name. There were several minutes there where my mother—my big-hearted, sassy, impatient, loud, ridiculously strong and smart and giving mother—thought she was going to have to choose what order to get her family this vaccine, thinking that she might not be able to get all 4 forms filled out before all the spots were taken. And she put Dad’s name first—because he’s in his 60s, and he has diabetes, and he’s on kidney dialysis. And I like to think that anyone in my family would have done that, too, but I think it’s human nature to put your own name first when you’re under that kind of pressure. On one hand, it’s self-preservation, but, on the other, it’s a knee-jerk reaction. But Mom started with Dad. And I’ll probably cry every time I think about that for the rest of my life.

So that’s how Dad’s name ended up on all 4 of our tickets. At no point did Mom have to go back and put in different names. (Which makes sense because it’s Eventbrite. When I bought Jonas Brothers concert tickets, I bought all 5 tickets on my card, and everyone paid me back. No need to do them individually.) The whole “one name” thing did cause a bit of an issue when we went to get tickets, but the nice people running it reassured us that we weren’t the only people it happened to. It was an issue with the system (no shit).

After Dad got the confirmation email confirming “his” tickets, I was still on the phone with Mom. I remember saying “You did it, Mom. We’re in.” I remember looking at those tickets like they were gold, like I was Charlie-freaking-Bucket, and I was going to willy Wonka’s Chocolate Factory. And, at this point, a vaccine is about as valuable.

I cried that day. And I felt guilty. K-State is teaching online. I don’t even teach in Alabama. I couldn’t help but feel like I was “taking” a vaccine from an elementary school teacher who is teaching in-person or a grandmother who’s been teaching for 50 years and is extra vulnerable. I’ve just always put others first (which I feel weird even saying), and this is honestly why I wouldn’t do well in a zombie apocalypse scenario. But I know that I need this vaccine just as much or more so than others. I will be going back to in-person teaching, and I do have an autoimmune disease (as much as I try to deny it). So I got it…and I tried not to feel too bad about it.

 (Here’s my side rant—it’s so fucking surreal to use Eventbrite. I understand that it’s probably a useful format, but no one changed any of the language. When we were waiting to get in, they told us that we were “in the queue for a popular event.” When we got the tickets, they said, “Congratulations! You’ve got tickets!” The whole thing felt like some twisted event that the Capitol would throw. It was sickening. Like, it still gives me shivers to think that this was being treated the same way as the Jonas Brothers concert was.)


As a palette cleanser, I’ll end with all my good-good news! Thankfully, there’s been some of that!


First, I’M PUBLISHED!!! I got the email in September, and I couldn’t really say anything about it until the end of January when the issue came out. But I’m published in the inaugural issue of The Journal of Fantasy and Fan Cultures. Adrianna Gordey actually sent me a link to the CFP back late last Spring because they were doing a special Harry Potter issue! Obviously, I knew that was meant for me, so I submitted the paper I wrote for Anne Phillips’ seminar class. Of course, not 2 week later, JKR went full-on TERF, and I thought I lost everything that made me special as a scholar. That set publication back some, as did COVID, but I was really pleased to see that they went through with it. It’s a small journal specifically for graduate students, but the topic was so fitting that I knew I wanted to be part of it. And it’s just the first of many, I’m sure.

In other Potter-related good news (which there isn’t much of these days), Phil nominated my Master’s Project for the ChLA Graduate Student Essay Award!! Needless to say, I was shocked. Someone from my cohort has won that award or been an honor recipient the last 2 years—Molly Burt was awarded an Honorable Mention for it our first year, and Dustin Vann won it last year—so that’s immediately what I thought about when Phil wanted to nominate me. Now, I should be thrilled, because that means he thinks my paper’s on par with the best Children’s Lit graduate work in the country and that my paper could even win it—and, like, Phil’s a big deal. He knows Children’s Lit—but I’m actually just kind of nervous about the “legacy” of K-State. Ebony Elizabeth Thomas once called us the “Avengers of Children’s Lit!” That’s just a little bit of pressure. But I made a lot of edits to my project, and I really like the finished product, so even if it doesn’t win, I’d like to pursue publication for it. I had Jamie Bienhoff (who graduated from K-State 2 years ahead of me) look at it, and she thought it was really good and accessible and relevant, so I’m excited about its potential. Obviously, I struggle with balancing confidence and expectations, and I don’t want to get my hopes up too much, but it would feel so good (and wildly surreal) to win that. I guess we’ll see.

Finally, still academic-related but not about Harry Potter, this week I got re-accepted to the Popular Culture Association (PCA) national conference! I was supposed to present last year when it was in Philadelphia, but it got COVID cancelled. Jacque, Noelle, Molly, Dustin, Mikayla, Lexi, Katherine Dubke, and I were all going to go and share an Air BnB and take a day trip to NYC. It was slated as our “last hurrah,” and I was so, so, so excited. I will never be over the fact that I should have had that experience by now. (I was going to see the Balto statue in Central Park!!! Like, that’s my DREAM!) And we were all going to present fun papers that weren’t related to our schoolwork, because we would all be done with our defenses by then. I was going to present a paper on driving allusions in Taylor Swift songs…and that’s exactly what I’m going to do this year!




PCA is virtual this year, so I’ll 100% get to present, and I’m so excited for that. As you may have heard, she’s also dropped 2 more albums since this time last year, so I have even more material to work with! This paper started when Mikayla and I were sitting on the floor of my spare room crafting and listening to T. Swift (as we do pretty regularly), and one of us said, “She’s never the one driving in her songs.” And I think it was me who then came up with the conspiracy that “maybe she can’t drive.” And then we just started spitballing back and forth about driving and when she drives and when she doesn’t drive—and that was before Lover dropped. Mikayla said something to the effect of, “If she drives on Lover [because it will be the first album she owns outright], you know you’ll have to write about it.” And then, lo and behold, in “I Think He Knows,” she says, “Lyrical smile, indigo eyes, hand on my thigh / We can follow the sparks, I’ll drive.” And, well, a promise is a promise.

 

So those are the highlights of 2021. I’ll see you tomorrow for a special, uber reflective birthday post.

Until then, may the odds be ever in our favor,

Katie

Saturday, May 2, 2020

Captain's Log, Day 14: I Come Back


Date: May 2, 2020
Time of post: 7:35 AM
Quarantine Day: 48
Last Song I Listened To: “Don’t Let It Break YourHeart” by Louis Tomlinson
Last Person I Communicated With: Mikayla Sharpless
Last Thing I Ate: spaghetti earl gray tea
Last Thing I Read: The Marrow Thieves by Cherie Dimaline
Current Mood: emotionally loaded
One Thing I’ve Accomplished Today: I’m writing this at 6AM; I’ve literally done nothing; yesterday I did dishes and baked brownies
One Thing I Want To Accomplish Today: vacuum; read for fun; write
One Reason I’m Stressed Today: so many decisions need to be made soon; goodbyes are coming
One Reason I’m Happy Today: Last night I found out that I won the Graduate Student Service Award!


Dear Apocalypsers,

It’s been nearly two weeks since my last entry. I think I needed time to recharge. Everything has been emotionally draining lately. I guess I didn’t realize how much isolation was taking out of me until schoolwork started to pick up, and then I was dealing with all my internalized stress and exhaustion plus end-of-semester schoolwork.
Repping my Ravenclaw pride back in 2016 before the
Cursed Child release party. 
I’m a massive Harry Potter fan, so I relate a lot of my life to the books and characters. That’s how I know, very firmly, that I’m a Ravenclaw/Hufflepuff mix—a Ravenpuff, if you will. I’d be Sorted into Ravenclaw, though, because I really believe in those values for myself: wit, learning, creativity. Ravenclaws have a tendency for being perfectionists and bookworms and academics; they’re sometimes daydreamers; they’re usually creative in some way, and they’re usually pretty high achievers. That’s what I strive for in myself, but I have the heart of a Hufflepuff: loyalty and hard work and friendship and love and acceptance. Hufflepuffs love comfort food and keeping the peace and doing what’s right and making sure everyone is taken care of; they usually have a soft side and avoid conflict (unless it’s one of their loved ones being wronged). And that’s exactly what I try to put out into the universe.

My undergrad graduation photos even featured a
stack of
Potter books and my McGonagall wand! 
So my Hufflepuff heart hurts a lot right now. My Ravenclaw mind knew that quarantine would catch up with me eventually, and I think it finally did. That glass bowl shattered, and I did, too. Not that other people really noticed. Heck, I didn’t even really notice until the last 24 hours or so when I started to feel better. I definitely don’t feel great, but I know what I want to do to get back to a good place, and my inner-Ravenclaw loves being able to have a plan. If I have a plan, I can work with it. I can make it happen. 

I’ve been taking in a lot of creative projects over the last 12 days. I’ve been reading—books, blogs, fanfics—both for class and for fun. I’ve been listening to a lot of music (mostly Taylor Swift, but I’ve also branched out into some new-to-me artists like Maisie Peters), and I’ve been watching a lot of creative shows on streaming services. (Part of the reason I’m up right now is because I watched the first 5 episodes of Next in Fashion on Netflix.) Subconsciously, I was feeling so empty, so I think I needed to refuel with the things that bring me joy, and when I finally tried to fall asleep around 4AM, I felt the need to create, something I haven’t felt in weeks. That’s how I can tell that I’m getting into a better place. So I decide to write this post instead of tossing and turning in bed. At least this way I can check something off my list.

But I’d lying if I said I’ve been on a consistent, upward trajectory, because I haven’t. We’re all grieving right now, and grief isn’t a straight line, and, recently, I’ve been struggling with the prospect of my upcoming goodbyes.

I knew before I even moved to Kansas that I’d have to say goodbye sooner than I wanted to. I don’t think I’ve ever felt ready for a goodbye—not in high school, when I’d known some of my friends for over a decade; not in undergrad, when I’d known my closest friends for 4 years and had lived with them for 3—so I knew that 2 years wasn’t nearly enough time. I distinctly remember feeling like “it wasn’t worth it” to form close friends in grad school because we’d just go our separate ways and my heart would break.

I was very wrong…and very right.

It took me about a week to honestly decide that I loved my cohort, and I know now that I wouldn’t have made it this far in grad school without them. They have been my greatest support system, and I can’t thank them enough for all they’ve done for me. I don’t regret how fast and hard we fell for each other. But I was right that 2 years hasn’t been long enough and that my heart is already breaking.

This isn’t the ending we deserved.

But I’ve spent 24 years getting used to life’s vague disappointments. I should probably stop thinking perfect happily evers are possible, but my Hufflepuff heart just won’t accept that. I am an eternal optimist, and if I had to choose between this experience of COVD and heartbreak or never having met my cohort, I’d take our current timeline every single time.

There’s a quote in Cassandra Clare’s book Clockwork Princess (2013) that keeps me going through these times: "Every meeting led to a parting, and so it would as long as life was mortal. In every meeting, there was some of the sorrow of parting, but in every parting, there was some of the joy of meeting as well” (507). Winnie the Pooh says it differently: “How lucky I am to have something that makes saying goodbye so hard.” (And this may not even be an A.A. Milne quote, but that’s not relevant right now; the sentiment behind it is.)

In short, I have loved being in Kansas. I’ve made a home here. I’ve found a family. And I would stay longer if I could so I could take it all in and spend more time appreciating what I have, but I don’t know if that’s going to be possible. I might have to go back to Alabama. Don’t get me wrong; I love my biological family so much, but I feel like my hand s being forced here, and I hate being forced into something I don’t want to do.


I'm more than a little proud of this family we've created here.
 Here's us at the 
Department Holiday Party, December 13, 2019. 

Even during one of the most stressful and pivotal times of my life, though, it’s not nearly as stressful as what apocalyptic YA protagonists face, so I guess I should take the silver lining where I can get it. But one thing that my personal life and YA books do tend to share is an emphasis on chosen family. I grew up 16 hours away from my parents’ families—they’re from the same small town in Pennsylvania—and I only saw my aunts, uncles, grandparents, and cousins once a year—maybe twice if I was lucky—so I made a lot of “family” in Alabama. It never really occurred to me that there was any difference between my parents’ best friends, my Uncle Frank and Aunt Elaine and Uncle Lon and Aunt Karen, and my parents’ siblings, Uncle Bob, Uncle Chuck, Aunt Nan, and Uncle Alan. We spent as much time with blood relatives as chosen ones, and they all loved me the same—so maybe I’m just predisposed to form lifelong bonds with people.

But we see Katniss do that, too. She and Peeta stay in touch with Annie even after Finnick dies and the war ends. They still talk to Haymitch. These are the people they went through literal hell with; that’s an unbreakable bond.

We see Jane and Katherine come together in Dread Nation, first as unwillingly allies and later as something near friendship (and that relationship continues to build into Deathless Divide, which I’m reading now). They protect each other; they help each other; they’re really starting to—gasp!—care about each other.

And then there’s Frenchie, in The Marrow Thieves. He starts referring to Miig, Minerva, Wab, Chi-Boy, Tree and Zheegwon, Slopper, and RiRi as family almost as soon as he meets them, and it’s a phrase that’s reiterated throughout the book.

I think all my emotions about grad school and chosen family are best summed up in two quotes from two of my favorite YA series:
  1.  "Family isn’t blood. It’s the people who love you. The people who have your back”—Cassandra Clare City of Heavenly Fire (2014), pg. 111
  2. “Time is making fools of us again” --J.K. Rowling, Harry Potter and the Half-Blood Prince (2005) 


Reveling in the Dusty Bookshelf's Harry Potter-themed re-opening
 in April 
2019, this time wearing by Beauxbatons girl outfit. 

There’s so much uncertainty right now, and that’s always been the hardest thing for my Ravenclaw mind to deal with. I hate not knowing more than I hate almost anything else—except maybe the dentist. It’s so hard to imagine how this situation will all play out. I don’t know if having these YA books helps me—because I can empathize with the love the characters have for their chosen families—or scares me—because, you know, death and destruction and war and revolution.

I really want the odds to be in our favor…just this once.


Katie






Bibliography:

Clare, Cassandra. City of Heavenly Fire. Simon & Schuster, 2014.


                 Clockwork Princess. Simon & Schuster, 2013.


Collins, Suzanne. Mockingjay. Scholastic, 2012.


Dimaline, Cherie. The Marrow Thieves. Dancing Cat Books, 2017.


Ireland, Justina. Dread Nation. HarperCollins, 2018.


Rowling, J.K. Harry Potter and the Half-Blood Prince. Scholastic, 2005.

Saturday, April 18, 2020

Captain's Log, Day 12: I Put the "I" in "Identity"


Date: April 18 (technically 19), 2020
Time of post:  12:39 AM
Quarantine Day: 34
Last Song I Listened To: “Woman's World” by Little Mix
Last Person I Communicated With: Savannah Winkler via Instagram DMs
Last Thing I Ate: 3 halo mandarin oranges
Last Thing I Read: A Snapchat message
Current Mood: proud
One Thing I’ve Accomplished Today: grocery shopping and finished graduation presents
One Thing I Want To Accomplish Today: I mean, I actually did all the things on my list today
One Reason I’m Stressed Today: I have a big History of the Book “quiz” to take this weeked
One Reason I’m Happy Today: the ChALC Conference today was wonderful, and Zetta Elliott is an amazing human being and incredible speaker!

Dear Apocalypsers,

I’ve been thinking a lot about identity today. It started this morning with the biannual ChALC Conference. Months ago, we picked a theme: “Fantastic Identities.” The M.A. Class of 2020 has a pretty big Children’s Lit cohort—I think there are 6 of us (me, Lexi, Dustin, Mikayla, Molly, Noelle)—and we’re all involved with ChALC, and we’re all very into diversity and representation in Children’s Literature. (And it probably helps that, to quote the best compliment Nick Cady has ever given, “We’ve got to be one of the gayer cohorts.”) So we knew that if we were going to have a hand in planning this conference, we wanted it to be about identity. And, because K-State has some of the coolest connections, we were able to get Zetta Elliott as the keynote speaker.

Cue COVID-19 mess.


Thankfully, Karin Westman is the ChALC sponsor, and we were able to move the conference online via Zoom. In some ways, that was great, because people from across the country were able to join in. On the other hand, we lost the opportunity to meet Zetta and potentially have lunch with her and ger her to sign our books and all the geeky things that a Children’s Lit graduate student would desperately want to do. But, I’m trying not to get bogged down in that. I’m just going to make Phil Nel introduce us in person someday.

A line from Elliott's most recent book, a collection of poetry inspired about the
lives of her mother and grandmother.

Zetta’s keynote address was called “Magic, Mystery, and History: Forging Radical Black Girl Identities in Fantasy Fiction,” and she talked a lot about her own family history and her relationship with her racial identity. It was really beautiful and powerful and brought up a lot of concerning points about what kinds of books are “allowed” to feature Black or Indigenous protagonists, and, because of all this drama, award-winning authors like Zetta Elliott have to self-publish their work to get it to readers at all. Apparently, most children’s books published with a Black protagonist are in the “nonfiction,” “biography,” or “historical fiction” category, because those are the genres that most often win the Coretta Scott King Award. If a book wins the Coretta Scott King, it’s basically guaranteed to stay in print, and every public and school library will end up with a copy of it—which is great news for publishers. So that creates a cycle of only publishing those genres, and then those genres are the only ones that win, so on and so on—and nobody wants to “risk” publishing other genres like science fiction and fantasy, because they might not make a profit immediately. What they don’t see—or don’t care about—is that introducing books with Black protagonists from different genres could start trend and that, in the future, there could be a really diverse array of books up for (and winning) the Coretta Scott King Award.

But that’s not what capitalism’s about, is it?



When I think about identity, YA novels immediately come to mind. Teenagerdom is such a hard time, partly because everyone’s self-conscious and trying to figure out who they are. I mean, the plot of every teen movie is the "outcast" or "weirdo" suffering for not fitting the status quo and slowly "finding their place," usually with people who accept them "just the way they are."  Fantasy and dystopia YA take the bildungsroman to the next level and throw in a casual “save the world” mandate or “the world is ending” proclamation on top of the already dystopic reality of puberty. Katniss and Peeta, at 16/17/18-years-old have to come to terms with their constantly shifting identities. Peeta even keeps a list of words that he uses to “try to figure [Katniss] out”: friend, lover, victor, enemy, fiancée, target, mutt, neighbor, hunter, Tribute, and ally (Collins 270).


It should be known that the whole Children's Lit
cohort is obsessed with Ebony Elizabeth Thomas' book,
The Dark Fantastic. We read it for Phil's class last spring
and actually got to Zoom with her. And she and Zetta
Elliott are friends!
Basically, this photo is hella important
to us now. 

 In Dread Nation (2018), both Jane and Katherine must come to terms with what it means to be a Black girl in Justina Ireland’s zombie-infested post-Civil War world. Jane seems to have an understanding of what being Black means to White society, but she also knows what it means to her, and she’s learned how to work around the system as much as she can. I’m thinking specifically of the moments where she makes herself sound uneducated to get White characters to leave her alone, saying, “My momma says the best wat to get what you want from people is to give them what they think they want. They expected me to be stupid, so I used that to our advantage” and “Sometimes you have to live down to people’s expectations, Kate. If you can do that, you’ll get much further in life” (Ireland 62, 63). Katherine, who is white-presenting, has a harder time with her identity, because on one hand, she can live as a privilege white woman, but at what cost? She tells Jane, “[Passing as white is] exactly what I don’t want. I don’t want to live the rest of my life as a liar. To turn my back on my own people” (362).

But identity isn't limited to teenagers and YA, as Daniel Heath Justice shows us in The Way of Thorn and Thunder (2011), where many of his characters find themselves straddling more than one identity. For Tarsa, the main protagonist (maybe?), she struggles with suddenly having her identity as a Redthorn Warrior taken away as her Wielder identity is Awakened. Being a Wielder is uncommon, and she is shunned by her community; she feels out of place herself until Chapter 11 "Becoming" when she accepts her identity. Other characters, like the gender neutral zhe-Kyn , Averyn, embody characteristics of both genders, and they are a valued healer in this world. Even Tobhi, who is portrayed as personable, honest, and well-liked, is "different," as he is a Leafspeaker. His skills are rare among Tetawi, so he isn't "normal," either, and the same can be said of Quill the Dolltender. But, for Tobhi and Quill, their differences (or anomalies) make them highly respected members of their communities, and there is yet no indication that they ever faced the kind of discrimination that Tarsa has. Overall, Justice's world is reflective of Indigenous culture which is more accepting of “anomalous” gender identity than our society is, in that The Way of Thorn and Thunder views identity as more of a spectrum than a binary and that "anomalous" people are not "wrong" but special and important.
This is a post from an astrology account that I follow on
Instagram. It "prescribed" me (a Pisces) 5-10 times a day. I listen
to so much music every day, so this was a pretty (and strangely
accurate) "pill to swallow.."


With all of this bouncing around in my head, I started thinking about my own identity. (Don’t worry—no Earth-shattering revelations are about to be revealed.) So, I do what I always do when I need some feel-good energy: I turn on Little Mix. They’re probably my favorite girl group, and I’ve actually come to appreciate them more as I’ve gotten older because 1) they’re best friends, and that comes across in every song they record and every interview they do and 2) they are unapologetically proud of the things that society tells women they shouldn’t be proud of, from their weight to their sex lives to “four letter words” to how big their boobs are (these are the things that definitely made me uncomfortable at first, coming from a small Southern town, but now it’s what I love about them). They have a song called “Strip” on their most recent album, LM5 (2018), and I literally cried came on Spotify today. I was in my kitchen, microwaving some chicken nuggets, and I just cried. (It’s not even a dramatic ballad! That’s “Cannonball,” which of course came on immediately after, and I was such a wreck after those 2 songs, omg.) I think it was this part that got me: “Take off all my make-up 'cause I love what's under it / Rub off all your words, don't give a, "uh", I'm over it / Jiggle all this weight, yeah, you know I love all of this / Finally love me naked, sexiest when I'm confident / You say I ain't pretty / Well, I say, "I'm beautiful", it's my committee” (Little Mix).




I don’t have a great history with my body. There are things about myself that I’m not comfortable with—my weight, my skin, my teeth—and I generally just feel a little bit like I’m trying to hide myself. Growing up, I was always told that I was “so smart.” I was “writing my own ticket,” and “my parents must be so proud.” What I don’t remember being told was that I was pretty or that I had a nice smile or that someone had a crush on me. I do remember not fitting into my 7th grade Spring formal dress because I had gained weight. I remember being told by my neighbor that we could work out (at 12 and 13) and get me “from a Large to a Medium.” I remember getting cast as the comic relief character but never the beautiful leading lady and being told that boys were “intimidated by me.” I remember not getting asked to Prom. I knew I was smart, and that quickly became my identity—but I wanted to be pretty.

And, weirdly, it took moving halfway across the country to find peace with myself. That’s what I realized today. For years, I thought something was wrong with me. Maybe I wasn’t particularly pretty; I didn’t hear that much (except from my parents, but they’re obligated to say that, right?) Maybe I was a little too chubby or my one wonky tooth was too wonky; I had never been asked out, never kissed anyone. Maybe I was too loud or weird or naïve or focused on my career. But when I got here, I found people who loved every part of me—and told me. And that gave me some much-needed confidence to love myself. Like the girls of Little Mix say, “If you got little boobs, love it / If you got a big ass, grab it / If you got nothing big, rock it / It's your life, go get it, if you want it” (Little Mix).
And, wow, do I want it.

So, if you’ve read the last 1600 words, thank you. Go jam to some Little Mix. They’re sure to make you feel good about yourself. (I highly recommend “Joan of Arc,” “Wasabi,” “TheNational Manthem,” “Woman Like Me,” “Shout Out to My Ex,” “Power,” “Salute,” and “Little Me” in addition to “Strip" and “Cannonball.” "Woman's World" (My "last song listened to" is so powerful, too. Definitely worth a shout out here.).

And, if you’re still figuring out who you are, may the odds be ever in your favor. You’ll get there.

Katie






Works Cited:

Collins, Suzanne. Mockingjay. Scholastic, 2012.

Ireland, Justina. Dread Nation, HarperCollins, 2018.

Justice, Daniel Heath. The Way of Thorn and Thunder: The Kynship Chronicles. University of New Mexico Press, 2013.

Little Mix. “Strip.” LM5, Syco, 2018.